Giada Campione (Battipaglia, 1997) graduated in Classical Singing with highest honors (110/110 with Distinction and Special Mention), distinguishing herself early on for her vocal versatility and stylistic awareness. Throughout her academic training, she developed a strong focus on both operatic and Baroque repertoire, building an intense concert and performance activity in these fields. In the 2024/2025 academic year, she was admitted to the Accademia Nazionale di Santa Cecilia, confirming a steadily growing artistic profile.
She made her operatic debut in February 2025 as Genoveffa in Cenerentola by Cristian Carrara, on a libretto by Maria Grazia Pani. In the same year, she took part in the international Project B.U.T.T.E.R.F.L.Y at the Teatro Comunale di Modena, Operabox in Helsinki, and Opera Bałtycka in Gdańsk as a coloratura soprano cover. In August, she debuted as Adina for Verbicaro in Lirica, and in December 2025 she performed Il delirio amoroso by G. F. Händel and the Pastoral Cantata by Alessandro Scarlatti for the Festival Barocco delle Marche.
Her repertoire includes numerous roles from the eighteenth- and nineteenth-century operatic tradition, such as Cleopatra (Giulio Cesare), Servilia (La clemenza di Tito), Lakmé, Norina (Don Pasquale), Cunegonde (Candide), and Susanna (Le nozze di Figaro). She has appeared as a soloist in major concert settings and musicological conferences, including the annual conference of the Italian Society of Musicology, and has participated in several sacred music productions and recordings, among them the Magnificat by Cristoforo Caresana.
Deeply committed to Baroque performance practice, she collaborates regularly with the baroque ensemble Emiolia of Salerno and was selected for the Baroque Program of the Accademia Chigiana in Siena. She has attended masterclasses with leading artists such as Sonia Prina, Eva Mei, and Michele d’Elia, and is a prizewinner in numerous national competitions.